Ziauddin Sardar, a London based scholar and cultural critic, tells Steve what’s needed now is “an Islamic science” and explains what that is.
Ziauddin Sardar, a London based scholar and cultural critic, tells Steve what’s needed now is “an Islamic science” and explains what that is.
Steven Biel talks about Grant Woods' iconic American painting: who the models were; how the painting's been received and why it's so often parodied.
According to self-described "space dork" Andy Weir, he was just sitting around at home one day imagining a manned Mars mission — not with any goal in mind, but just as a thought experiment. Soon, he realized this would be a pretty good premise for a story. And boy was he right. His novel "The Martian" started as a series of blog posts and has become a blockbuster motion picture. In this interview, he reads excerpts from the novel and discusses the balance between pure fantasty and scientific accuracy in science fiction.
In a small studio in Brooklyn, one artist is reimagining selfies. Erin Riley finds online self-portraits and transforms them into larger-than-life tapestries. The woven women don’t have faces… but they do have stories.
It's not just the movies that offer sequels. Susan Heyboer O'Keefe's new novel is called "Frankenstein's Monster"...
TTBOOK producer Charles Monroe-Kane is a great storyteller who's led an adventurous life. Here's a wild story from his memoir "Lithium Jesus" about smuggling mob money when he lived in Prague in the '90s.
Seymour Martin Lipset tells Judith Strasser that Americans never became revolutionaries because from the beginning, working people here were far better off than those in other countries.