Colum McCann tells Steve Paulson what made Rudolf Nureyev the greatest dancer of his time and that his life was shaped by his ambition and his physical beauty.
Colum McCann tells Steve Paulson what made Rudolf Nureyev the greatest dancer of his time and that his life was shaped by his ambition and his physical beauty.
Dominique Raccah tells Anne Strainchamps why she loves hearing the actual voices of people like Denise Levertov, W.H. Auden and Robert Frost.
Eugene Mirman is an indie comic and the author of an outlandish self-help send-up called "The Will to Whatevs." He tells Jim Fleming that school was horrible for him and gave rise to his nerd humor.
If human beings are part neanderthal, Brian Fagan tells Jim Fleming the rest of us is something else - Cro-Magnon.
Ted Gioia was in high school when he first visited a jazz club and he realized instantly, "This is it! This is what I've been looking for." The experience changed his life and since then he's become a noted jazz critic and historian. Gioia's new book is "How to Listen to Jazz." He tells Anne Strainchamps that new collaborations with rappers and rockers are revitalizing today's jazz.
Frank Kermode tells Steve Paulson that Shakespeare revolutionized the English language and worked within a culture that got most of its information from listening.