Writer Benjamin Kunkel bookmarks Herman Daly's "Steady-State Economics."
According to historian Thomas Laqueur, neither sanitation nor the soul fully explain the rang of rituals we've developed for caring for dead bodies. For him, there is a deeper anthropological truth at work: caring for the dead marks the human transition from nature into culture.
Daniel Wolff tells Anne Strainchamps that most Americans learn what they really need to know outside of school and that, as a society, we believe contradictory things about the value of public education.
Producer Sara Nics on the story behind this show... how she's tried to come to terms with our narrative selves.
Esperanza Spalding is one of the brightest young stars in jazz - except she resists being labeled a "jazz musician." In fact, her new album "Emily's D+ Evolution" sounds more like rock than jazz. When she sat down in our studio with Steve Paulson, she talked about her childhood roots in classical music before her momentous discovery of jazz improvisation.
Photographer Sarah Sudhoff has been intrigued by mortality for almost as long as she can remember. She's made art out of out of disease, hospitals, funeral homes. In her series, At The Hour of Our Death, she's taking an close look at death.
In this UNCUT interview, Katherine Boo talks about her much-lauded book, “Behind the Beautiful Forevers”.
Dana Jennings grew up in New Hampshire during the golden age of country music from the 1950s through the 1970s. His family listened to country and their values were shaped by it.