Philip Ball tells Anne Strainchamps that artists had to be chemists for centuries and that often the paintings we see now look nothing like the originals.
Philip Ball tells Anne Strainchamps that artists had to be chemists for centuries and that often the paintings we see now look nothing like the originals.
Maybe Mr. Rogers was right and every neighbor is a potential friend – someone worth inviting over, getting to know. On the other hand, maybe the weird guy next door will turn out to be Jeffrey Dahmer.
You'll have to know the great expectations of Cornell students to be successful for this round of the Whad'Ya Know? Quiz!
"Shock Doctrine" journalist Naomi Klein's Dangerous Idea? Democratize the world's energy supply.
Rebecca and Robert Bluestone tell Judith Strasser what their art forms have in common and how they both use color and a sense of place in their work.
Charles R. Cross talks about his book, "Here We Are Now: The Lasting Impact of Kurt Cobain."
Peggy Orenstein tells Anne Strainchamps about “parasite singles” - young Japanese, mostly female, who reject the traditional life of marriage and children.
Is marriage great literary material? That’s the question Jeffrey Eugenides plays with in his novel, “The Marriage Plot”. It’s a story about how reading can shape young minds.
In this UNCUT interview, Steve Paulson talks with Eugenides about marriage, love, reading, the spiritual quest,...