Scott Topper's a poet, but that doesn't mean he's not conflicted about the twin powers of reading and writing.
Scott Topper's a poet, but that doesn't mean he's not conflicted about the twin powers of reading and writing.
Salman Rushdie tells Steve Paulson that he loved the movie, “The Wizard of Oz” and that he sees it as a parable about home and homelessness.
Paleontologist Simon Conway Morris talks with Steve Paulson about convergence and the evolution of intelligence.
The Bad Plus is a hot young jazz trio that puts a jazz spin of rock classics from Nirvana and Black Sabbath.
How do you best portray a strong female character, either in TV or in film? That’s a question culture critic Tasha Robinson has been asking herself for a long time now, first during her 13 years as an editor for the A.V. Club and most recently as the senior editor of the movie commentary site, The Dissolve. She tells Charles Monroe Kane that it's relatability — not toughness — that defines a strong woman on screen.
Zach Helm wrote the screenplay for "Stranger than Fiction," in which Will Ferrell hears the voice of Emma Thompson apparently narrating his life.
Steve Venwright put out a CD called “The Further Somniloquies of Dion McGregor.” McGregor talks in his sleep like you’ve never heard before.
Philosopher and novelist Umberto Eco wrote a history of beauty. A few years later, he followed it up with a study of ugliness. Here’s what he found