Barbara Moss grew up dirt poor in rural Alabama with a grotesquely deformed face. In her memoir, she chronicles her quest to claim a little bit of beauty.
Barbara Moss grew up dirt poor in rural Alabama with a grotesquely deformed face. In her memoir, she chronicles her quest to claim a little bit of beauty.
Dame Evelyn Glennie is an award winning solo percussionist and composer who performs with the great orchestras and popular artists. She's also deaf. She talks with Steve Paulson about touching sound.
Bill Malone is the country’s foremost historian of country music. His new book is called “Don’t Get above Your Raisin’.” He talks about why he loves old-time country music.
Dorothy Marcic tells Jim Fleming that you can trace the cultural status of women by analyzing the lyrics of 20th century popular songs.
Sci-fi writer Eileen Gunn bookmarks Nisi Shawl's "Filter House."
David Stubbs argues that new music doesn't get the same respect as new art.
Missy Cummings studies unmanned systems like drones, as director of Duke University’s Humans and Autonomy Lab. Charles Monroe-Kane spoke with her about a few of the ways drones are being used outside of the military.
Journalist Edward Fox tells Anne Strainchamps about the mysterious and still unsolved murder of American biblical archaeologist Albert Glock.