Debra Dickerson talks with Jim Fleming about how African Americans may use their blackness as a self-limiting excuse not to achieve. And she's sick of it.
Debra Dickerson talks with Jim Fleming about how African Americans may use their blackness as a self-limiting excuse not to achieve. And she's sick of it.
Brad Land tells Anne Strainchamps about his terrifying experiences being kidnaped, then pledging a fraternity. He’s the author of “Goat: A Memoir.”
Chris Ayres was more comfortable reporting on celebrities in Hollywood when the Times of London sent him to Iraq.
Can a video game actually teach kids to meditate? Tammi Kral describes an innovative project at the University of Wisconsin's Center for Investigating Healthy Minds.
Frank Drake says SETI gets lots of false alarms and they’re all caused by signals that originate on earth, and that the situation will only get worse. But he’s still optimistic.
Dallas Abbott tells Anne Strainchamps about the massive chevrons she believes are caused by mega-tsunamis which are in turn caused by asteroid impacts on the Earth.
Most people think of conflict as something to be avoided, but there's another way to view it -- as creative and generative. In his book "The Art of Rivalry," Boston Globe art critic Sebastian Smee explores how intense conflicts, broken friendships and personal reconciliations fueled some of the most dramatic breakthroughs in Modern Art. He tells Steve Paulson that the rivalry between Picasso and Matisse contributed, in part, to cubism.
Barbara Moss grew up dirt poor in rural Alabama with a grotesquely deformed face. In her memoir, she chronicles her quest to claim a little bit of beauty.