Dame Evelyn Glennie is an award winning solo percussionist and composer who performs with the great orchestras and popular artists. She's also deaf. She talks with Steve Paulson about touching sound.
Dame Evelyn Glennie is an award winning solo percussionist and composer who performs with the great orchestras and popular artists. She's also deaf. She talks with Steve Paulson about touching sound.
Christopher Stewart's “Jungleland”, a book about his adventure in Honduras seraching for La Cuidad Blanca.
Barbara Moss grew up dirt poor in rural Alabama with a grotesquely deformed face. In her memoir, she chronicles her quest to claim a little bit of beauty.
John Safran says we need writers who are outsiders. Otherwise, groups will keep hiding their secrets.
Brendan Halpin tells Steve Paulson about his early days as a teacher and why he stuck it out for several years.
Most people think of conflict as something to be avoided, but there's another way to view it -- as creative and generative. In his book "The Art of Rivalry," Boston Globe art critic Sebastian Smee explores how intense conflicts, broken friendships and personal reconciliations fueled some of the most dramatic breakthroughs in Modern Art. He tells Steve Paulson that the rivalry between Picasso and Matisse contributed, in part, to cubism.
Colson Whitehead talks with Jim Fleming about and reads from “The Colossus of New York: A City in Thirteen Parts,” his literary portrait of New York City.
Bill Malone is the country’s foremost historian of country music. His new book is called “Don’t Get above Your Raisin’.” He talks about why he loves old-time country music.