Christopher Paul Curtis tells Judith Strasser why he writes historical fiction, and how he moved from hanging doors on a factory floor to becoming a writer.
Christopher Paul Curtis tells Judith Strasser why he writes historical fiction, and how he moved from hanging doors on a factory floor to becoming a writer.
Media theorist Douglas Rushkoff says the writing's on the wall: in the future, you can either make the software... or you can BE the software.
Colson Whitehead talks to Steve Paulson about his take on the post-apocalyptic zombie novel, "Zone One."
Erin Clune brings us and her family to tour the garden of Izzy Fine and Mary Gray who've planted thousands of flowering bulbs on their property in Madison, Wisconsin. Their garden is so spectacular, all the neighbors drop by to wander around.
Bill Hayes is the author of “Five Quarts: A Personal and Natural History of Blood.” Hayes tells Jim Fleming several nifty facts about the fluid that sustains us all.
Imagine what it would feel like if everywhere you went, people assumed you needed help… if complete strangers insisted on giving you a hand, whether you wanted it or not?
David Abram is an ecologist, anthropologist and philosopher, and author of "Becoming Animal."
Carel Van Schaik tells Steve Paulson that orangutans, those great red apes, use tools and pass learning down from one generation to the next.