Barbara Moss grew up dirt poor in rural Alabama with a grotesquely deformed face. In her memoir, she chronicles her quest to claim a little bit of beauty.
Barbara Moss grew up dirt poor in rural Alabama with a grotesquely deformed face. In her memoir, she chronicles her quest to claim a little bit of beauty.
Dame Evelyn Glennie is an award winning solo percussionist and composer who performs with the great orchestras and popular artists. She's also deaf. She talks with Steve Paulson about touching sound.
Most people think of conflict as something to be avoided, but there's another way to view it -- as creative and generative. In his book "The Art of Rivalry," Boston Globe art critic Sebastian Smee explores how intense conflicts, broken friendships and personal reconciliations fueled some of the most dramatic breakthroughs in Modern Art. He tells Steve Paulson that the rivalry between Picasso and Matisse contributed, in part, to cubism.
Colson Whitehead talks with Jim Fleming about and reads from “The Colossus of New York: A City in Thirteen Parts,” his literary portrait of New York City.
Bill Malone is the country’s foremost historian of country music. His new book is called “Don’t Get above Your Raisin’.” He talks about why he loves old-time country music.
Jeff VanderMeer recommends "The Other Side" by Alfred Kubin.
Dorothy Marcic tells Jim Fleming that you can trace the cultural status of women by analyzing the lyrics of 20th century popular songs.
James Dawes interviewed a collection of convicted war criminals from the Second Sino-Japanese War. Today, they are "sweet old men" searching for forgiveness. Do they deserve it?