Dominique Raccah tells Anne Strainchamps why she loves hearing the actual voices of people like Denise Levertov, W.H. Auden and Robert Frost.
Dominique Raccah tells Anne Strainchamps why she loves hearing the actual voices of people like Denise Levertov, W.H. Auden and Robert Frost.
Eugene Mirman is an indie comic and the author of an outlandish self-help send-up called "The Will to Whatevs." He tells Jim Fleming that school was horrible for him and gave rise to his nerd humor.
Ted Gioia was in high school when he first visited a jazz club and he realized instantly, "This is it! This is what I've been looking for." The experience changed his life and since then he's become a noted jazz critic and historian. Gioia's new book is "How to Listen to Jazz." He tells Anne Strainchamps that new collaborations with rappers and rockers are revitalizing today's jazz.
Barry Glassner tells Steve Paulson that Americans seem to think the value of a meal lies principally in what it lacks - no sugar, fat, carbs, calories, etc. He explores the myths that make us the food police.
There are sad songs in rock, and sad songs in jazz, but the resting place for the saddest songs is clearly in country music.
If human beings are part neanderthal, Brian Fagan tells Jim Fleming the rest of us is something else - Cro-Magnon.
Charles Mann tells Steve Paulson how there got to be two Bayer companies making aspirin; how it was marketed in South America, and what makes Anacin different from aspirin.