Lynne Cox is a long distance swimmer who specializes in the impossible. She tells Steve Paulson how she trained, and how she’s able to do survive in such cold water.
Lynne Cox is a long distance swimmer who specializes in the impossible. She tells Steve Paulson how she trained, and how she’s able to do survive in such cold water.
Matt Haimovitz tells Steve Paulson why he plays music that goes so far beyond the standard repertoire, and why he plays it in bars and coffeehouses as well as concert halls.
John Berendt tells Anne Strainchamps that Venice still feels like a stage set, and that Venetians still carry on in dramatic, even operatic ways.
Michael Doucet is the founder of the pioneering, Grammy Award-winning Cajun band, BeauSoleil. He also has an extensive background in arts education.
Margaret MacMillan explains the historical context of the Nixon trip to China and how it changed the course of history.
The East Village Opera Company gives the traditional operatic repertory an extreme musical make-over, re-imagining arias as popular songs.
British composer John Tavener tells Steve Paulson that he merely records the music that God created, and that he scorns music like Beethoven’s Ninth Symphony which celebrates humanity rather than the Divine.
Mark Rectanus tells Steve Paulson that corporate sponsorship can create conflicts of interest for museum curators and can turn art exhibits into “tarted-up trade shows.”