Paule Marshall tells Steve Paulson about the neighborhood both she and her cousin were born into, recalls Brooklyn's glorious past as a hotbed of jazz, and explains why so many African-American artists chose to live in France.
Intelligent. Optimistic. Curious.
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Noah Adams tells Jim Fleming that researching his book "Far Appalachia" let him learn about his own family’s origins in Kentucky.
Mick Foley, as Mankind, played many Ed Ferrara scripts. Foley tells Steve Paulson how scripted matches could result in real injuries.
Celebrated children's author Maurice Sendak talks with Steve Paulson about one of his collections.
Jazz singer Kurt Elling is a three time Grammy Nominee. He talks with Jim Fleming about reaching for the Divine through his music.
Lorrie Moore responds to Hillary Clinton as a cultural symbol and public personality.
Sometimes when musicians break the mold, they end up creating new genres. Richard Hell didn't study music as a kid, but he loved how rock and roll let him experiment with self-expression.
John Berendt tells Anne Strainchamps that Venice still feels like a stage set, and that Venetians still carry on in dramatic, even operatic ways.
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