Millard Kaufman has a long string of successes, including two Oscar nominations as a screen writer. He tells Jim Fleming why he decided to take on a new kind of writing.
Millard Kaufman has a long string of successes, including two Oscar nominations as a screen writer. He tells Jim Fleming why he decided to take on a new kind of writing.
Acclaimed novelist Martin Amis talks about growing up as the son of another famous novelist — Kingsley Amis.
Cissy Chandler was 18 years older than her husband, which he may or may not have ever known.
For the past three months, our host Anne Strainchamps came to work every day and listened to people talk about death and dying. Here are her reflections on how the experienced changed her.
Lisa Lieberman is the author of “Leaving You: The Cultural Meaning of Suicide.” She talks about the suicide of her grandfather and the extravagant narratives left by 19th century suicides.
Meghan O'Rourke wonders if there's a better way to be bereaved in an essay called "Good Grief" which recently appeared in the New Yorker.
Joel Hirschorn thinks urban sprawl is a terrible idea and tells Steve Paulson all the reasons why.
Larry Watson tells a story about beauty, art, obsession and betrayal in his novel “Orchard.”