Susan Vreeland talks about why she’s so attracted to the world of art, and why Emily Carr, the subject of her latest book, loved the First Nations’ people and their art.
Susan Vreeland talks about why she’s so attracted to the world of art, and why Emily Carr, the subject of her latest book, loved the First Nations’ people and their art.
Seduction seems like a dirty word these days. In our era of frankness, hook-ups and FWBs, why bother seducing someone?
Betsy Prioleau says charm is an endangered, misunderstood and useful art.
Visionary computer scientist Jaron Lanier explores the rise of the tech industry in his book "Who Owns the Future?" In it, he explains why the next information economy is hurting the middle class.
Roberta Gregory writes and draws the comic strip featuring the mis-adventures of Midge McCracken, AKA "Bitchy Bitch."
"I can't remember a time when I wasn't drawing," says Molly Crabapple. "I can't not draw. It's how I relate to the world." And Crabapple's art - her drawings, paintings and posters - have ignited various political causes, from the Occupy Movement to protests against the treatment of prisoners in Guantanamo. She tells Anne Strainchamps how art can be a political tool.
Siva Vaidhyanathan is the author of “Copyrights and Copywrongs.” He talks with Jim Fleming about the history of copyright and says it was intended to preserve future creativity.
Russ Parsons tells Jim Fleming how to make a great french fry, and why potatoes are only the beginning!
Paul Koudounaris has spent the past decade traveling around the world, climbing into church crypts and bone chambers and taking photos at over 250 burial sites in 30 countries. He's discovered chapels decorared with skeletons and underground caves filled with skulls—among other things. In this interview, he tells us how he began his obsession with displays of death.