Americans are still fighting over the legacy of the Vietnam War, but one perspective is missing: the Vietnamese experience. Novelist Viet Thanh Nguyen provides a Vietnamese perspective.
Americans are still fighting over the legacy of the Vietnam War, but one perspective is missing: the Vietnamese experience. Novelist Viet Thanh Nguyen provides a Vietnamese perspective.
How should we decide when to stop life-prolonging treatments for people with severe brain damage and terminal illness? Are live organ donors always out of the question? As medicine makes it possible for us to prolong life, when should we just let - or help - someone die?
Simon Winchester talks with Jim Fleming about the short-sightedness of placing cities where the planet doesn't think they should be.
Science writer Jennifer Ouellette spent a year confronting her math phobia straight on. She taught herself calculus. It helped her win at Vegas, get a good mortgage, and might just save her from a zombie apocalypse.
Steven Johnson talks with Steve Paulson about new research in neuroscience that helps us understand human personality and how the brain shapes it.
"I can't remember a time when I wasn't drawing," says Molly Crabapple. "I can't not draw. It's how I relate to the world." And Crabapple's art - her drawings, paintings and posters - have ignited various political causes, from the Occupy Movement to protests against the treatment of prisoners in Guantanamo. She tells Anne Strainchamps how art can be a political tool.
What have the recent leaks about the NSA's surveillance program have revealed? In this EXTENDED interview, computer scientist and independent scholar Susan Landau gives us her perspective, and weighs in on the questions of inquiries, and checks and balances.
Paul Koudounaris has spent the past decade traveling around the world, climbing into church crypts and bone chambers and taking photos at over 250 burial sites in 30 countries. He's discovered chapels decorared with skeletons and underground caves filled with skulls—among other things. In this interview, he tells us how he began his obsession with displays of death.