David Gessner wants to change the way people write about nature. Instead of the traditional stories about wild animals in pristine landscapes, he calls for a style of nature writing that's messy, even raucous.
David Gessner wants to change the way people write about nature. Instead of the traditional stories about wild animals in pristine landscapes, he calls for a style of nature writing that's messy, even raucous.
Emma McLaughlin and Nicola Kraus tell Anne Strainchamps about their experience as nannies and discuss the complexities of paid child-care in the home.
We hear geo-political expert Charles Emmerson talk with Steve Paulson about the future prospects for the Arctic.
Doug Gordon reports on Gus Van Sant’s efforts to re-make the classic 1960 Alfred Hitchcock film, “Psycho.”
The average American voter is NOT smarter than a 5th grader, doesn't understand basic political facts and should probably not be allowed to vote. Philosopher Jason Brennan makes the case for an epistocracy: the rule of the knowledgeable.
In an essay called "Fail," Chuck Klosterman examines the thinking behind the so-called "Unabomber Manifesto."
Edward Hirsch tells Anne Strainchamps that the best artists have “duende” - a kind of creative imp that puts them in touch with human emotional experience.
Naturalist and soundscape artist Bernie Krause talks about his book, "The Great Animal Orchestra: Finding the Origins of Music in the World's Wild Places."