Bruce Watson tells Steve Paulson why Erector Sets were so huge. They reflected the spirit of America’s Industrial Age, and A.C. Gilbert marketed them directly to boys.
Bruce Watson tells Steve Paulson why Erector Sets were so huge. They reflected the spirit of America’s Industrial Age, and A.C. Gilbert marketed them directly to boys.
Hip hop artist DJ Spooky brought a crew to Antarctica and created Sinfonia Antarctica. He tells us how his audio portrait documents the effects of climate change on the continent.
Doug here. I thought there was good back-and-forth between Chuck and myself in this conversation. I like how the interview went “meta” at the end, with Chuck speculating that if I’m right about his book being hailed as the “Moby Dick" of non-fiction in 300 years time. This interview belongs in a time capsule. At the very least, a “Best of” show. I also really enjoyed the fact that we heard the musical stylings of John Philip Sousa, Chuck Berry, KISS and Veruca Salt. Of course, if Chuck’s book taught me anything (and it actually taught me many things), I could be wrong.
David Michaelis tells Steve Paulson that Charles Schultz put a lot of himself into the Charlie Brown character, was greatly influenced by his mid-Western upbringing.
Catherine Austin Fitts was the Federal Housing Commissioner and Assistant Secretary of Housing under the first Bush administration. She managed a Wall Street investment firm and is now president of Solari, Inc.
Elizabeth George, author of the Inspector Lynley mysteries, talks about her new novel that tells the life story of the mixed race boy who's arrested for the fatal mugging of the Inspector's wife, which occurred in the previous novel in the series.
Dwight Reynolds talks with Steve Paulson about the history of religious tolerance in Al-Andalus and how it was reflected in the music of Moorish Spain.