Hank Klibanoff and Gene Roberts are the co-authors of "The Race Beat: The Press, The Civil Rights Struggle, and the Awakening of a Nation."
Intelligent. Optimistic. Curious.
Audio
Desperate times may call for desperate measures. But do we really want to put space mirrors into clouds to deflect the sun's rays? Economist Clive Hamilton outlines the promise and perils of geoengineering.
Gershom Gorenberg talks with Steve Paulson about the site that the Jews call the Temple Mount which the Muslims revere as Al-Aqsa.
The kind of people who live in places like Jackson, Kentucky often get characterized as poor, white and angry. And worse, as redneck and racist – hillbilly white trash. J.D. Vance knows them well. They’re his people. He grew up in Kentucky coal country and the Ohio rust belt - places he left behind when he went to Yale Law School. Today he practices in Silicon Valley, but he’s just written a book called “Hillbilly Elegy," which should be required reading for this election year. Welcome to Jackson, Kentucky.
Guy Consolmagno is an American planetary researcher and a Jesuit priest. He's the curator of one of the world's great collections of meteorites, at the Vatican Observatory. He gets a lot of questions about how he can be both a priest and a scientist. Luckily, he has a sense of humor about it -- witness a recent appearance on the Colbert Report -- and believes science and religion can work together.
A lot of people dismiss fashion as frivolous, but Media Studies professor Minh-Ha Pham says it's a great lens through which to study race, gender and class politics. "Fashion and so many other kinds of culture and practices that are traditionally associated with women... are often seen as frivolous," she says, and "that dismissal of fashion is linked to a larger, a broader sexism in our culture."
Historian and author Graham Robb tells Steve Paulson that there was a great deal of tolerance for homosexuals in the 19th century, as long as they were discreet.
In the early 20th century, as visual artists started experimenting with abstraction and surrealism, musicians were experimenting too. But why, nearly 100 years later, are the works of Modern visual artists more popular than Avant Garde music?
Pages
