Physicist Geoffrey West is trying to uncover the fundamental, physical principles that shape cities. In this UNCUT interview with Steve Paulson, he talks about how cities are - and are not - like organisms.
Physicist Geoffrey West is trying to uncover the fundamental, physical principles that shape cities. In this UNCUT interview with Steve Paulson, he talks about how cities are - and are not - like organisms.
Journalist Greg Critser tells Jim Fleming that Americans never learn moderate food habits. We must accept responsibility for our own caloric intake and expenditure.
Gershom Gorenberg talks with Steve Paulson about the site that the Jews call the Temple Mount which the Muslims revere as Al-Aqsa.
The kind of people who live in places like Jackson, Kentucky often get characterized as poor, white and angry. And worse, as redneck and racist – hillbilly white trash. J.D. Vance knows them well. They’re his people. He grew up in Kentucky coal country and the Ohio rust belt - places he left behind when he went to Yale Law School. Today he practices in Silicon Valley, but he’s just written a book called “Hillbilly Elegy," which should be required reading for this election year. Welcome to Jackson, Kentucky.
Guy Consolmagno is an American planetary researcher and a Jesuit priest. He's the curator of one of the world's great collections of meteorites, at the Vatican Observatory. He gets a lot of questions about how he can be both a priest and a scientist. Luckily, he has a sense of humor about it -- witness a recent appearance on the Colbert Report -- and believes science and religion can work together.
Literary critic Geoff Dyer goes to Algeria on a Camus pilgrimage, looking for traces of the great writer and some insight into his own life.
Historian and author Graham Robb tells Steve Paulson that there was a great deal of tolerance for homosexuals in the 19th century, as long as they were discreet.
In the early 20th century, as visual artists started experimenting with abstraction and surrealism, musicians were experimenting too. But why, nearly 100 years later, are the works of Modern visual artists more popular than Avant Garde music?