Laila Lalami tells Jim Fleming that Muslim women are trapped between two competing world views, neither of which knows how to help them or asks them what they want for themselves.
Laila Lalami tells Jim Fleming that Muslim women are trapped between two competing world views, neither of which knows how to help them or asks them what they want for themselves.
Mark Anderson tells Steve Paulson that no single piece of evidence for Shakespeare's identity is conclusive, but all the funny coincidences "prove" his thesis.
Martin Amis talks with Jim Fleming about his new novel, "House of Meetings" and the legacy of Stalin on Russia.
Russian classical pianist Lera Auerbach discuses her lifelong fear of time with Jim Fleming.
Biologist Renee Askins tells Anne Strainchamps why she is passionate about wolves, and why she was determined to re-introduce wolves to Yellowstone National Park.
Novelist Michael Ondaatje met film editor Walter Murch during the filming of Ondaatje’s Booker Prize winning “The English Patient.” Their conversations matured into a book: “The Conversation: Walter Murch and the Art of Editing Film.”
Jan Louter is a Dutch film director. The PBS series Independent Lens just aired his piece “A Sad Flower in the Sand” about novelist John Fante. Fante wrote a 1939 novel called “Ask the Dust” ...
Suppose you drank too much at that party last night and some embarrassing pictures of you got posted on Facebook. Do you have a right to delete them? In Europe, you now have that legal right. But Georgetown University's Meg Jones says Americans are still sorting out conflicting demands for privacy and free speech in the digital age.