The sonic sepia of a rare 78RPM lets us eavesdrop on Cantor Isaiah Meisels, singing prayers for theJewish High Holy Days in 1907.
The sonic sepia of a rare 78RPM lets us eavesdrop on Cantor Isaiah Meisels, singing prayers for theJewish High Holy Days in 1907.
With tensions flaring up in the Middle East this week, we're thinking about the city of Jerusalem and the role it plays in inspiring religious fervor and conflict. Boston Globe Columnist James Carroll writes about it in his book, "Jerusalem, Jerusalem: How the Ancient City Ignited Our Modern World."
Linguist Mike Hammond talks about made-up language games with Jim Fleming. Going way beyond pig latin, we hear samples from “The Name Game,” as well as “ob” and “Geta.”
Ken Reardon now teaches city and regional planning at Cornell, and was one of the founders of the East St. Louis Action Research Project.
You probably heard our new theme tune in the shows this weekend. Want the back story on how the new music came about? Here's a conversation with Steve Mullen, who composed it.
What’s happening in our brains when we talk or sing or play music? Are language and music different neural processes? Neuroscientist Charles Limb peaks into the mind of a particular kind of musician... rappers.
Jean Auel is the author of the phenomenally successful “Earth’s Children” series of books. Auel tells Anne Strainchamps about the extensive hands on research that informs her work.