Patrick McGilligan talks about how Alfred Hitchcock chose his leading men, and what makes “Vertigo” the cinematic classic it is.
Patrick McGilligan talks about how Alfred Hitchcock chose his leading men, and what makes “Vertigo” the cinematic classic it is.
Religious historian Karen Armstrong doesn’t like the either/or, good/evil dichotomy. She believes we are hard-wired to be both selfish and kind.
Nell Casey tells Anne Strainchamps about her sister Maud, who suffered from manic-depression. Maud’s own strength, coupled with the heroic support of her family enabled her to recover.
Michael Keith recalls his nomadic life with his divorced, alcoholic father. He never had enough to eat, and got into trouble, but decided who he didn’t want to be.
In this extended interview, literary scholar Rob Nixon explains why he recently re-read all of Carson’s writing, and says her legacy endures – from her warnings about environmental toxins in “Silent Spring” to her lyrical essays about the wonder of oceans.
Persi Diaconis is a former stage magician who uses card shuffling and coin tossing to illustrate complex mathematical formulae.
Kendall Taylor is the author of the most complete account yet of the marriage of Scott and Zelda Fitzgerald. Taylor tells Steve Paulson that the marriage was volatile from the beginning.
Joshua Ferris talks about his novel, "To Rise Again at a Decent Hour," which made the longlist for The Man Booker Prize.