Michael Pollan tells Judith Strasser where the American front lawn came from, and what it has come to symbolize.
Michael Pollan tells Judith Strasser where the American front lawn came from, and what it has come to symbolize.
Musician Joe Jackson talks with Jim Fleming about his concept album “Heaven and Hell” which is based on the Seven Deadly Sins.
Singer and pianist Marcia Ball talks about the various kinds of Blues and how they differ from what she usually plays.
Mary Sweeney was producer, editor and co-writer of “The Straight Story.” The film concerned an elderly man’s cross country journey on a riding mower and was directed by David Lynch.
Feminist film critic Molly Haskell talks about how Hollywood has treated the subject of writer’s block, and we hear clips from “Adaptation” and “Barton Fink.”
John Portmann contributed to and edited the collection of essays, “In Defense of Sin.” He tells Steve Paulson why, as a child, he loved going to confession.
Katharine Rogers tells Jim Fleming that there’s a lot more to Oz than the Wizard, and that Baum always loved the theater and would have been thrilled by the Judy Garland movie.