Can you learn to be more creative? You can if you go to Lynda Barry's workshop on "writing the unthinkable."
You can also listen to the EXTENDED interview, and read the extended transcript.
Can you learn to be more creative? You can if you go to Lynda Barry's workshop on "writing the unthinkable."
You can also listen to the EXTENDED interview, and read the extended transcript.
Michael Benson is a film-maker who’s compiled an extraordinary book of still photographs. Lawrence Weschler wrote the book’s Afterward.
Journalist Kevin Krajick's book tells the story of geologists Chuck Fipke and Stew Blusson, a couple of small-time prospectors who went looking for diamonds in the Canadian tundra.
John Portmann contributed to and edited the collection of essays, “In Defense of Sin.” He tells Steve Paulson why, as a child, he loved going to confession.
Jedediah Purdy is the author of “For Common Things: Irony, Trust and Commitment in America Today” and “Being America: Liberty, Commerce, and Violence in an American World.”
Nobody writes a dystopia quite the way Margaret Atwood does. In this EXTENDED conversation about MaddAddam - and a whole lot more - Atwood talks about utopia and dystopia, and the inherent optimism of all authors.
Music historian Michael Streissguth talks with Jim Fleming about Johnny Cash and the remarkable recording he made in 1968 at Folsom prison.
Nathaniel Lachenmeyer tells Jim Fleming about the history of our suspicion that 13 is an “unlucky” number.