Julia Alvarez talks about her novel for young adults, and how it mirrors her own experience reconciling a native Dominican background with the culture of her adopted home: a small town in rural Vermont.
Julia Alvarez talks about her novel for young adults, and how it mirrors her own experience reconciling a native Dominican background with the culture of her adopted home: a small town in rural Vermont.
In Laura Poitras's film "My Country, My Country" she shoots in cinema verite style and based her film on the actions of an Iranian physician and his family around the recent Iranian election.
John Portmann contributed to and edited the collection of essays, “In Defense of Sin.” He tells Steve Paulson why, as a child, he loved going to confession.
Singer and pianist Marcia Ball talks about the various kinds of Blues and how they differ from what she usually plays.
As Planned Parenthood looks ahead to its centennial in October 2016, Ellen Feldman's "Terrible Virtue" gives us a captivating portrait of the organization's resolute founder, Margaret Sanger.
Lewis Hyde invokes the cultural commons – that vast store of art and ideas from the past that enrich everybody's present.
Mary Sweeney was producer, editor and co-writer of “The Straight Story.” The film concerned an elderly man’s cross country journey on a riding mower and was directed by David Lynch.
Katharine Rogers tells Jim Fleming that there’s a lot more to Oz than the Wizard, and that Baum always loved the theater and would have been thrilled by the Judy Garland movie.