Carrie Rickey is the film critic for "The Philadelphia Inquirer." She talks to Steve Paulson about how Marshall McLuhan's ideas influenced David Cronenberg's 1983 sci-fi/horror film, as chronicled in her essay, "Videodrome; Make Mine Cronenberg."
Carrie Rickey is the film critic for "The Philadelphia Inquirer." She talks to Steve Paulson about how Marshall McLuhan's ideas influenced David Cronenberg's 1983 sci-fi/horror film, as chronicled in her essay, "Videodrome; Make Mine Cronenberg."
Cheryl Gilkes talks with Steve Paulson about the importance of the female soloist in the tradition of gospel music.
Brad Blanton tells Anne Strainchamps that speaking your mind, even when it’s rude, will result in deeper, more satisfying relationships.
Danny Gregory tells Jim Fleming that film-strips became popular around the time of the second world war and were used for industrial training and in public schools.
Novelist Christopher Miller's debut novel "Sudden Noises from Inanimate Objects" takes the form of liner notes for a box set by a fictional musician.
Cynthia True is the author of “American Scream: The Bill Hicks Story.” She tells Jim Fleming that Hicks was an important social satirist, remarkable for his bravery and honesty. He battled TV executives over his belief that audiences could handle provocative ideas.
Nature writer David Quammen has written a book called “Monster of God.” It’s about man-eating predators. Quammen says that such beasts have often been worshiped but the habitats are being encroached on by development.
Nutritionist Elizabeth Somer tells Steve Paulson that what we have for lunch determines how we'll feel all afternoon.