Carrie Rickey is the film critic for "The Philadelphia Inquirer." She talks to Steve Paulson about how Marshall McLuhan's ideas influenced David Cronenberg's 1983 sci-fi/horror film, as chronicled in her essay, "Videodrome; Make Mine Cronenberg."
Carrie Rickey is the film critic for "The Philadelphia Inquirer." She talks to Steve Paulson about how Marshall McLuhan's ideas influenced David Cronenberg's 1983 sci-fi/horror film, as chronicled in her essay, "Videodrome; Make Mine Cronenberg."
Azby Brown is an American architect who lives in Tokyo. He tells Jim Fleming how a Japanese family of four can live comfortably in a house under 1000 square feet in size.
Bennett Alan Weinberg talks with Anne Strainchamps about how little we actually know about the vegetable alkaloid we know as caffeine.
Earlier this year a new show went up at the Milwaukee Art Museum, all about folk art. We stopped by to find the beauty behind folk art.
Bruce Watson tells Steve Paulson why Erector Sets were so huge. They reflected the spirit of America’s Industrial Age, and A.C. Gilbert marketed them directly to boys.
Cheryl Gilkes talks with Steve Paulson about the importance of the female soloist in the tradition of gospel music.
Why do we sleep? No-one really knows, but neuro-scientist Bob Stickgold tells Jim Fleming about his ideas concerning sleep and why it’s important.
David Michaelis tells Steve Paulson that Charles Schultz put a lot of himself into the Charlie Brown character, was greatly influenced by his mid-Western upbringing.