A cancer patient took some psilocybin to help with the fear and panic about dying. A single dose created a life-changing experience in her final months.
A cancer patient took some psilocybin to help with the fear and panic about dying. A single dose created a life-changing experience in her final months.
Is there anything science won't tackle? The lastest question, "What is beauty?" We talk with two neuroscientists and an art historian about the new field of neuroaesthetics.
"New Yorker" staff writer and book critic James Wood recommends Theodor Fontane's 1894 novel, "Effi Briest."
Flash mobs: seemingly random gatherings of complete strangers doing something completely out of the ordinary. Bill Wasik started this craze.
Sociologist Doug Maynard talks with Anne Strainchamps about the different styles of sharing bad news and how sometimes the speaker’s style can undermine the content of the message.
Brian Raftery tells Jim Fleming about karaoke in Japan and the man who invented it.
For as closely linked as the voice is to our body and sense of identity, there are also a lot of external forces affecting our voices, both social and technological. In fact, when we're talking about mediated voices—voices we hear in music, film, and of course, on the radio—we're actually not talking about "voices" any more. We're talking about signal processing. And, as media historian Jonathan Sterne tells Craig Eley, signal processing shapes the sound of all vocal media, from your telephone calls to the music of T-Pain.