Cheng-Sim Lim knows her kung—fu movies. She’s the curator of “Heroic Grace: The Chinese Martial Arts Film” at UCLA’S Film and Television archive
Cheng-Sim Lim knows her kung—fu movies. She’s the curator of “Heroic Grace: The Chinese Martial Arts Film” at UCLA’S Film and Television archive
Rehman here. This story quite literally hit close to home for me. I grew up just about an hour away from the suburb it takes place in, and until working on this story, I never would have imagined that building a mosque could be so controversial, especially in a place as cosmopolitan as Chicago. Standing under its massive dome, I was struck by the odd realization that a building could simultaneously be a haven and source of community for some, and symbol of fear and hatred for others. Though the story took place more than a decade ago, it seems we’re still wrestling with many of the same questions around religious inclusion and American identity.
Etgar Keret tells Anne Strainchamps that he is the child of Holocaust survivors and that his work reflects life in Israel as it really is today.
Burkhard Bilger tells Steve Paulson how to catch catfish with your bare hands; describes the delights of eating squirrel brains; and chronicles the exploits of some Southern marbles champions - the Rolly Holers.
Daniyal Mueenuddin divides his time between the United States and Pakistan...
Maybe you're familiar with art therapy - making art to cope with pain. Philosopher Alain de Botton has a different idea. He thinks just looking at great art can be therapeutic.
Bob Mankoff, cartoon editor of The New Yorker, recommends E.O. Wilson's "The Meaning of Human Existence."
Anthropologist Cynthia Mahmood is among the few Westerners who’s actually spent time talking with Islamic terrorists on their turf.