Samuel Delany’s review of “Call me Ishmael” by Charles Olson.
Intelligent. Optimistic. Curious.
Audio
Diamanda Galas is a classically trained pianist, with a vocal range of three and a half octaves whose music is dark and intense.
Nalini Nadkarni has been called “the queen of canopy research,” in part because of her personal philosophy to bring together two groups - the trees and the general public. She does this by collaborating with dancers, rappers, artists, and prisoners, just to name only a few. She created the Big Canopy Database to help researchers around the world to store the rich trove of data she and others are uncovering.
Do physicists think about End Times? Noted string theorist Brian Greene does. He looks into the far future - billions of years from now - and sees a very dark universe.
Chuck Klosterman talks about "Through a Glass, Blindly," the essay about voyeurism in his book, "Eating the Dinosaur."
Charles Matthewes tells Steve Paulson that while some acts deserve to be condemned, we should be careful not to exclude the perpetrators from the human race.
For as closely linked as the voice is to our body and sense of identity, there are also a lot of external forces affecting our voices, both social and technological. In fact, when we're talking about mediated voices—voices we hear in music, film, and of course, on the radio—we're actually not talking about "voices" any more. We're talking about signal processing. And, as media historian Jonathan Sterne tells Craig Eley, signal processing shapes the sound of all vocal media, from your telephone calls to the music of T-Pain.
Sociologist Doug Maynard talks with Anne Strainchamps about the different styles of sharing bad news and how sometimes the speaker’s style can undermine the content of the message.
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