Actor and producer George Bartenieff put together and performs a one man play called "I Will Bear Witness" based on the diaries of Victor Klemperer, a Jew who survived the Third Reich.
Actor and producer George Bartenieff put together and performs a one man play called "I Will Bear Witness" based on the diaries of Victor Klemperer, a Jew who survived the Third Reich.
Charles Duhigg, a reporter for the New York Times, has been researching the scientific and social history of habits for his new book, The Power of Habit. In it, he discusses the unique ways that habits shape our lives, both neurologically and practically. He learned that habits are powerfully hardwired into your brain — and stored separately from your memories — making them rather easy to develop and very difficult to change.
Historian and author Graham Robb tells Steve Paulson that there was a great deal of tolerance for homosexuals in the 19th century, as long as they were discreet.
In the early 20th century, as visual artists started experimenting with abstraction and surrealism, musicians were experimenting too. But why, nearly 100 years later, are the works of Modern visual artists more popular than Avant Garde music?
Henry Jenkins tells Jim Fleming that "The Matrix" is a good example of what we can expect from a convergence culture – a story that is told in more than one medium.
Gershom Gorenberg talks with Steve Paulson about the site that the Jews call the Temple Mount which the Muslims revere as Al-Aqsa.
Geoff Gilpin, author of "The Maharishi Effect," tells Anne Strainchamps how he became interested in the Transcendental Meditation movement.
The sense of home, of feeling safe and secure, is so essential to our everyday lives. Neuroanthropologist John S. Allen believes there’s a deeper significance to that pull back home. He believes the home is one of the most important inventions in our evolution, one that marked our shift from nest-building apes to humans. Steve Paulson caught up with him to find out why.