Sometimes making music new is as simple as adding a few new elements. For ground-breaking jazz composer Maria Schneider, that meant adding words to her work.
Sometimes making music new is as simple as adding a few new elements. For ground-breaking jazz composer Maria Schneider, that meant adding words to her work.
Have you been to the High Line yet? It’s a new park in Manhattan, full of sunbathers, lush plantings and strolling locals. It’s also about 30 feet above the ground, built on the bed of an old elevated train line. Writer Annik La Farge talks about the park, five years into its reinvention.
Should the Star Spangled Banner really be our national anthem? John Hasse gives a short history of patriotic songs, and suggests alternatives for the national anthem.
Karal Ann Marling tells Anne Strainchamps that American Christmas traditions led to an improvement in the status of women and helped nurture manufacturing industries from candy to cardboard.
Max Decharne can tell you lots of things no one will understand any more. He's a "solid pigeon" and "a bit of a fly thing," as he tells Steve Paulson.
Nell Casey tells Anne Strainchamps about her sister Maud, who suffered from manic-depression. Maud’s own strength, coupled with the heroic support of her family enabled her to recover.
Patrick McGilligan talks about how Alfred Hitchcock chose his leading men, and what makes “Vertigo” the cinematic classic it is.
When Kemp Powers was a boy, he and his best friend were playing with a gun. There was an accident. Powers talks with Anne Strainchamps about the shooting and its effect on his life.