Martin Norden tells Anne Strainchamps that the disabled have been in films from the beginning, but only as stereotypes: bad disabled people get killed off, while good disabled people get cured.
Martin Norden tells Anne Strainchamps that the disabled have been in films from the beginning, but only as stereotypes: bad disabled people get killed off, while good disabled people get cured.
Nuala O’Faolain tells Jim Fleming one of her novels is based on an adulterous affair across class lines in Ireland during the potato famine.
Judith Thurman tells Steve Paulson that Colette was a great writer who personified “the new woman” and led exactly the life she wanted, despite society’s outrage over her career choices and sexual behavior.
Michael Perry is a writer and volunteer fireman who lives in the small town of New Auburn, Wisconsin. His memoir about his adventures on the rescue squad there is called “Population 485: Meeting Your Neighbors One Siren at a Time.”
Rae Armantrout believes that there is one thing that all poetry should be - read out loud.
Melissa Coleman spent the formative years of her chilldhood roaming the lands of her family's farn in rural Maine. Melissa, her sister Heidi, and their parents, Eliot and Sue Coleman, lived off the grid, and became media darlings when the Wall Street Journal ran an article about her father. Coleman writes about that time in her memoir "This Life is in Your Hands."
So maybe you're not going to be the next Richard Pryor.
Even if you don't get many more laughs, you can laugh more. Katie West tells us how.