In Laura Poitras's film "My Country, My Country" she shoots in cinema verite style and based her film on the actions of an Iranian physician and his family around the recent Iranian election.
In Laura Poitras's film "My Country, My Country" she shoots in cinema verite style and based her film on the actions of an Iranian physician and his family around the recent Iranian election.
Can you learn to be more creative? You can if you go to Lynda Barry's workshop on "writing the unthinkable."
You can also listen to the EXTENDED interview, and read the extended transcript.
Neil Gaiman creates mythic fictional worlds. He tells Anne Strainchamps how our lives are shaped and scarred by childhood experiences.
Robert Kaplan tells Jim Fleming that people had a lot of trouble accepting a mathematical symbol for the idea of nothing.
Julian Barnes' novel "The Sense of an Ending" won the 2011 Man Booker Prize. Barnes talks with Steve Paulson about the complications of memory, aging and moral reckoning.
Lewis Hyde invokes the cultural commons – that vast store of art and ideas from the past that enrich everybody's present.
Imagine a portable listening device you wear like a walkman that converts the sounds around you into a form of music. Noah Vawter developed one.
MigraZoom is a participatory photography project with migrants in transit through Mexico en route to the U.S. MigraZoom tells us their own migration experience trough the lens of a camera.