Seymour Martin Lipset tells Judith Strasser that Americans never became revolutionaries because from the beginning, working people here were far better off than those in other countries.
Seymour Martin Lipset tells Judith Strasser that Americans never became revolutionaries because from the beginning, working people here were far better off than those in other countries.
Imagine a game the let's you blast imaginary cancer cells except they're from a real cancer patient, and your game you play may help save her life.
Peter Edelman says government policies can either help or hinder people on the road to economic stability. Edelman’s the longtime policy advisor who quit Bill Clinton’s administration when the President signed new welfare laws that – in Edelman’s opinion – destroyed the social safety net.
Everyone's afraid of something. Here's a small sampling of fears from Question Bridge: Black Males, a transmedia project that fosters dialogue between African American men of diverse backgrounds.
Question Bridge: Black Males was created by Chris Johnson and Hank WIllis Thomas, with Bayeté Ross Smith and Kamal Sinclair.
In the run-up to this show, many of you sent in your stories of wonder. Here they are, crafted into an eight-part soundscape with the voices of Michael Arnold, Cynthia Woodland, Caryl Owen, and Peter Sobol. Thanks for sharing your stories!
Is hip hop strictly for the under-30 crowd? Todd Boyd tells Anne Strainchamps it’s a message of empowerment for Black Americans.
Frank Lloyd Wright is a titan of American architecture, but he was grievously wounded, at least, psychologically, by a tragedy that occurred when he was in his forties.
Dance isn’t a performance; it’s life. That’s the philosophy of Sally Gross, one of the original members of the postmodern Judson Dance Theater, which is now celebrating its 40th anniversary. In this NEW and UNCUT interview, Gross talks with Steve Paulson about the power of movement and breath, the influence of John Cage, and why dance requires stillness.