Singer/songwriter Steve Earle was the Next Big Thing in alternative country music until heroin addiction and a chaotic personal life de-railed his career and almost killed him.
Singer/songwriter Steve Earle was the Next Big Thing in alternative country music until heroin addiction and a chaotic personal life de-railed his career and almost killed him.
Shane Harris tells Steve Paulson that our government is collecting masses of data on ordinary people in its efforts to catch terrorists.
Norwegian pianist Tord Gustavsen is a leading figure in Scandinavian jazz, famous for his meditative, almost prayful music. In his latest recording, he's collaborated with singer Simin Tander to reinterpret Norwegian church hymns and the poems of the Sufi mystic Rumi.
Rebecca Dopart was working as a Peace Corps volunteer in Poland, in the mid-90s. While there, she fell in love and got married. Just three weeks after her wedding, her father-in-law died. In this story, Dopart recalls how her husband tended to his father’s body.
Marion Nestle is a long-time food industry activist and the author of "Soda Politics: Taking on Big Soda (and Winning)." She explains why sodas are about race and class in America.
Roger Ebert won the Pulitzer Prize in 1975 and is probably the most famous movie critic in America. He talks with Steve Paulson about the movie genre known as film noir.
White Americans of European descent will make up less than half the population by 2042, according to the U.S. Census Bureau. In other words, white people will soon become a demographic minority. Philosopher Linda Martin Alcoff says that shift represents a sea change in how we'll think about American identity. She’s the author of the new book “The Future of Whiteness.” Alcoff told Steve Paulson that before we contemplate the future, we need to grapple with what it means to be white today.
Late in lafe, former Defense Secretary Robert McNamara admitted the Vietnam War was a huge mistake, but he always avoided questions of personal responsibility. Docmentary filmmaker Errol Morris reflects on McNamara's struggle with his own conscience.