Dana Lindaman tells Anne Strainchamps that Americans should remember that other countries have different views of America.
Intelligent. Optimistic. Curious.
Audio
"New Yorker" staff writer and book critic James Wood recommends Theodor Fontane's 1894 novel, "Effi Briest."
For as closely linked as the voice is to our body and sense of identity, there are also a lot of external forces affecting our voices, both social and technological. In fact, when we're talking about mediated voices—voices we hear in music, film, and of course, on the radio—we're actually not talking about "voices" any more. We're talking about signal processing. And, as media historian Jonathan Sterne tells Craig Eley, signal processing shapes the sound of all vocal media, from your telephone calls to the music of T-Pain.
Belquis Ahmadi is Afghan, Sameena Nazir is Pakistani. They tell Steve Paulson why Afghans welcomed the Taliban at first, what happened when they revealed their hidden agenda of oppressing women and controlling education.
Brian Raftery tells Jim Fleming about karaoke in Japan and the man who invented it.
Chris Wren was a bureau chief for the New York Times in Cairo, Moscow, Beijing, Ottawa and Johannesburg. The family cat, Henrietta, accompanied his family to may of those postings.
We hear from orangutan researcher Birute Galdikas who talks about her experience in Borneo observing the lives orangutans and about the deep connections she shared with them.
Claude Coleman was the drummer for cult rock group WEEN when he was involved in a car crash that left him with multiple broken bones, paralyzed on his left side, and brain- damaged.
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