Peter Edelman's Dangerous Idea? Putting people to work doing things we need done.
Intelligent. Optimistic. Curious.
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For as closely linked as the voice is to our body and sense of identity, there are also a lot of external forces affecting our voices, both social and technological. In fact, when we're talking about mediated voices—voices we hear in music, film, and of course, on the radio—we're actually not talking about "voices" any more. We're talking about signal processing. And, as media historian Jonathan Sterne tells Craig Eley, signal processing shapes the sound of all vocal media, from your telephone calls to the music of T-Pain.
David Margolick is the author of “Strange Fruit,” a history of the revolutionary Billie Holiday song. Margolick tells Jim Fleming who wrote the song, what happened the first time Holiday sang it, and what it’s lasting impact has been.
Deborah Scranton gives cameras directly to soldiers, She edits their footage over the internet.
Ellen Ruppel Shell talks with Anne Strainchamps about the effects of our obsession with low prices.
Blogger Mark Manson on embracing our negativity as a means of consciously choosing what we really care about.
Music critic Bill Friskics-Warren is the author of “I’ll Take You There: Pop Music and the Urge for Transcendence.” He talks with Anne Strainchamps about the spiritual aide of popular music.
What does it mean to be free? And what does it mean to live a personally authentic, honest life with ourselves and with others? These are the questions that Jean-Paul Sartre, Simone de Beauvoir and their existential friends wrestled with in the late 1940s and early 1950s. Sarah Bakewell makes the case that their late-night conversations are especially relevant today. She's the author of "At the Existentialist Cafe: Freedom, Being, and Apricot Cocktails."
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