David Dalton and his sister were assistants on Warhol's early Pop Art paintings when they were in their teens...
Intelligent. Optimistic. Curious.
Audio
Bruce Watson tells Steve Paulson why Erector Sets were so huge. They reflected the spirit of America’s Industrial Age, and A.C. Gilbert marketed them directly to boys.
David Michaelis tells Steve Paulson that Charles Schultz put a lot of himself into the Charlie Brown character, was greatly influenced by his mid-Western upbringing.
Doug here. I thought there was good back-and-forth between Chuck and myself in this conversation. I like how the interview went “meta” at the end, with Chuck speculating that if I’m right about his book being hailed as the “Moby Dick" of non-fiction in 300 years time. This interview belongs in a time capsule. At the very least, a “Best of” show. I also really enjoyed the fact that we heard the musical stylings of John Philip Sousa, Chuck Berry, KISS and Veruca Salt. Of course, if Chuck’s book taught me anything (and it actually taught me many things), I could be wrong.
What makes Cuban music so distinctive? Radio host Jonathan Overby describes its history, which blends African rhythms with Spanish elegance.
Doug Peacock's Dangerous Idea? We need to save the planet before it's too late.
Cecil Brown has researched the true story that gave rise to the Stagolee myth, and explains what the song has meant to various groups, especially within the African-American community.
Elizabeth Strout just won the Pulitzer Prize for her book "Olive Kitteridge." Marilynne Robinson's most recent novel, "Home," was a finalist for the National Book Award. Both women join Steve Paulson to discuss their works.
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