Carrie Rickey is the film critic for "The Philadelphia Inquirer." She talks to Steve Paulson about how Marshall McLuhan's ideas influenced David Cronenberg's 1983 sci-fi/horror film, as chronicled in her essay, "Videodrome; Make Mine Cronenberg."
Carrie Rickey is the film critic for "The Philadelphia Inquirer." She talks to Steve Paulson about how Marshall McLuhan's ideas influenced David Cronenberg's 1983 sci-fi/horror film, as chronicled in her essay, "Videodrome; Make Mine Cronenberg."
Bruce Watson tells Steve Paulson why Erector Sets were so huge. They reflected the spirit of America’s Industrial Age, and A.C. Gilbert marketed them directly to boys.
Entomologist Deborah Gordon tells Steve Paulson that ant colonies run with no one in charge. She’s spent years figuring out how they do it.
Daniel Tammett loves numbers, can do calculations in his head into the millions, and can recite pi to more than 22,000 digits. But he has trouble telling right from left and looking people in the eye.
Cheryl Gilkes talks with Steve Paulson about the importance of the female soloist in the tradition of gospel music.
For eight years Anu Garg has been sending e-mail to a half million people in two hundred countries around the world, but it's not spam. It's "A Word a Day," a message with a definition, the word's etymology and an example of how to use it.
David Edmonds talks with Jim Fleming about Bobby Fischer’s infamous chess match with Boris Spassky for the World Chess Championship in 1972.
Azby Brown is an American architect who lives in Tokyo. He tells Jim Fleming how a Japanese family of four can live comfortably in a house under 1000 square feet in size.