Carrie Rickey is the film critic for "The Philadelphia Inquirer." She talks to Steve Paulson about how Marshall McLuhan's ideas influenced David Cronenberg's 1983 sci-fi/horror film, as chronicled in her essay, "Videodrome; Make Mine Cronenberg."
Carrie Rickey is the film critic for "The Philadelphia Inquirer." She talks to Steve Paulson about how Marshall McLuhan's ideas influenced David Cronenberg's 1983 sci-fi/horror film, as chronicled in her essay, "Videodrome; Make Mine Cronenberg."
Cheryl Gilkes talks with Steve Paulson about the importance of the female soloist in the tradition of gospel music.
Daniel Tammett loves numbers, can do calculations in his head into the millions, and can recite pi to more than 22,000 digits. But he has trouble telling right from left and looking people in the eye.
David Michaelis tells Steve Paulson that Charles Schultz put a lot of himself into the Charlie Brown character, was greatly influenced by his mid-Western upbringing.
David Edmonds talks with Jim Fleming about Bobby Fischer’s infamous chess match with Boris Spassky for the World Chess Championship in 1972.
Film-maker Deborah Scranton gave cameras directly to troops on the ground, then spent months editing the footage they sent her.
Cynthia True is the author of “American Scream: The Bill Hicks Story.” She tells Jim Fleming that Hicks was an important social satirist, remarkable for his bravery and honesty. He battled TV executives over his belief that audiences could handle provocative ideas.
Reporter Beverly Donofrio tells Anne Strainchamps about her fascination with the Virgin Mary, and her incredible experiences at a site where Mary is said to appear. Her book is “Looking for Mary.