In Laura Poitras's film "My Country, My Country" she shoots in cinema verite style and based her film on the actions of an Iranian physician and his family around the recent Iranian election.
In Laura Poitras's film "My Country, My Country" she shoots in cinema verite style and based her film on the actions of an Iranian physician and his family around the recent Iranian election.
Michael Benson is a film-maker who’s compiled an extraordinary book of still photographs. Lawrence Weschler wrote the book’s Afterward.
Travel writer Tony Perrotet has spent his career traveling all over the globe, but he skipped the Mediterranean tour, choosing Tierra del Fuego or the Amazon over Rome. But the discovery of an ancient guide book launched him on his most exotic journey yet, in the footsteps of the Ancients.
John Portmann contributed to and edited the collection of essays, “In Defense of Sin.” He tells Steve Paulson why, as a child, he loved going to confession.
Feminist film critic Molly Haskell talks about how Hollywood has treated the subject of writer’s block, and we hear clips from “Adaptation” and “Barton Fink.”
Katharine Rogers tells Jim Fleming that there’s a lot more to Oz than the Wizard, and that Baum always loved the theater and would have been thrilled by the Judy Garland movie.
Lewis Hyde invokes the cultural commons – that vast store of art and ideas from the past that enrich everybody's present.
Ralph Knowles is one of the godfathers of the modern "green" design movement. His ninth book on the subject is "Ritual House: Drawing on Nature's Rhythms."