Journalist Ian Johnson is the author of “Wild Grass: Three Portraits of Change in Modern China.” He talks with Anne Strainchamps about one of them.
Intelligent. Optimistic. Curious.
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Jack Miles says maybe God became incarnate to repent for having thrown Adam and Eve out of the Garden of Eden, and that Christ initiated the Eucharist as a way for his followers to regain their immortality.
For much of her early life, rock critic Jessica Hopper was an ardent fan of punk rock. But despite her passion, she never felt like she quite fit in. That began to change once she started seeing female fronted bands performing onstage. She says the experience convinced her that there was a place for her in music. The discovery set her on a quest to uncover the countless other ways women are excluded from music, which she writes about in her book, "The First Collection of Criticism By A Living Female Rock Critic." She spoke to producer Craig Eley about the various forms of sexism she encountered in her decades-long career as a music journalist.
Ingrid Betancourt was abducted by Marxist rebels and held captive in the jungle for 6 years. She tells the story of her ordeal in a book called "Even Silence Has an End."
James Carse is the author of "The Religious Case Against Belief." He talks with Steve Paulson about the definition of religion and argues that one can be a religious person without believing in God.
Ian Baker describes his eight separate trips to find the hidden waterfall at the end of the Tsangpo Gorge. It's the legendary gateway to Shangri-La.
From the 1980s to today, independent screenplays have used a distinct approach to cinematic storytelling.
James Ridge recently performed in “A Night in November”. It’s a one-man play about a Protestant clerk in Northern Ireland who decides to forsake the legacy of prejudice and hate.
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